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"Caroline Worra...She frankly stole the show. Her voice is round, brilliant and lovely all the way from bottom to (considerably high) top, and she can do ANYTHING with it. The cherry on top: she is electric onstage, and a gorgeous blond, too." review from The Mines of Sulphur "The revelation in the cast was Caroline Worra ... who provides the evening's terrifying climax ... with a superb soprano and solid technique ... she delivered the final twist with fearsome power, landing on a molten high B that produced an almost physical reaction from the audience." Brian Kellow - Opera News "caroline Worra...was the clear favorite of the sold-out crowd, especially in the wake of her final, roof-raising aria." review from Vivaldi's Motezuma "all around powerhouse performer Caroline Worra" American Opera Projects "Caroline’s an immaculate musician and vocally complete, but that’s only where a singer starts. Her sound is utterly her own—rich, bright, crackling with electricity—and every time I hear her she’s a bolder, more inventive actress...her intensity was such, you could hardly draw breath...as Leonard Bernstein once said of Maria Callas, if I could sing like that I’d never write another note again." Mark Adamo - Time Out New York "ONE OUTSTANDING VOICE" London Financial Times "Worra sang all of her music wonderfully, with clean attack and stylistic mastery: clearly this is a serious artist destined for international stages." David Shengold - Opera News
"A NEW SOPRANO POWERHOUSE" Alex Ross - The New Yorker "...pearly tone and elegant technique..." San Francisco Chronicle
"Soprano Caroline Worra stole the show...She handled the coloratura challenges with panache, inflecting ornate parts expressively, tossing off a fabulous fast trill, and projecting thrilling high notes above high C. She is as impressive singing softly as powerfully, and was sensitive in ensemble work. Worra is a singer to watch." Pittsburgh Tribune |
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